6. Alessandro Arbo, Michel LeDu - Wittgenstein and Aesthetics. Perspectives and Debates (Aporia)[Retail].pdf

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Alessandro Arbo | Michel Le Du | Sabine Plaud (Eds.)
Wittgenstein and Aesthetics
Perspectives and Debates
APORIA
Apori/a
H
RSG
.
VON
/ E
DITED BY
Jesús Padilla Gálvez
(University of Castilla-La Mancha)
A
DVISORY
B
OARD
Pavo Barišić (University of Split)
Michel Le Du (University of Strasbourg)
Miguel García-Baró (University of Comillas)
Margit Gaffal (University of Castilla-La Mancha)
Guillermo Hurtado (National Autonomous University of Mexico)
Antonio Marques (New University of Lisbon)
Lorenzo Peña (Spanish National Research Council)
Nicanor Ursua Lezaun (University of the Basque Country)
Nuno Venturinha (New University of Lisbon)
Pablo Quintanilla (Pontifical Catholic University of Peru)
Aporia is a new series devoted to studies in the field of philosophy. Aporia (Aπορία)
means philosophical puzzle and the aim of the series is to present contributions by
authors who systematically investigate current problems. Aporia (Aπορία) puts special
emphasis on the publication of concise arguments on the topics studied. The
publication has to contribute to the explanation of current philosophical problem, using
a systematic or a historic approach. Contributions should concern relevant
philosophical topics and should reflect the ongoing progress of scientific development.
Volume 6
Alessandro Arbo | Michel Le Du
Sabine Plaud (Eds.)
Wittgenstein and Aesthetics
Perspectives and Debates
Bibliographic information published by the Deutsche Nationalbibliothek
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CONTENTS
Introduction
7
I. Aesthetic Investigations
J
OÃO
V
ERGILIO
G
ALLERANI
C
UTER
Tractarian Aesthetics
C
HIARA
C
APPELLETTO
Aesthetics as Methodology in Ludwig Wittgenstein’s Thought:
The Operational Character of Family Resemblances
A
NTONIA
S
OULEZ
His (Freud) Explanation Does What Aesthetics Does:
it Puts Two Factors Together
15
25
45
II. Aesthetic Grammar
J
ESÚS
P
ADILLA
G
ÁLVEZ
Visual Space as Aesthetic Problem
M
ICHEL
L
E
D
U
Seeing as
and Semantic Expansion
J
ULIA
T
ANNEY
Conceptual Cartography and Aesthetics – a Preliminary Study
63
81
97
III. Musical Understanding
A
LESSANDRO
A
RBO
Typology and Functions of “Hearing-as”
L
EONARDO
D
ISTASO
Notes on Aesthetic Comprehension: Sound beyond Image
M
ARIE
-A
NNE
L
ESCOURRET
Musical Analysis versus Grammatical Analysis:
Saying, Whistling, Describing, Understanding
117
129
141
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