9781803273884.pdf

(34231 KB) Pobierz
Powerful Pictures
Rock Art Research Histories
around the World
Edited by
Jamie Hampson, Sam Challis,
and Joakim Goldhahn
Powerful Pictures
Rock Art Research Histories
around the World
Edited by
Jamie Hampson, Sam Challis, and Joakim Goldhahn
Archaeopress Archaeology
Archaeopress Publishing Ltd
Summertown Pavilion
18-24 Middle Way
Summertown
Oxford OX2 7LG
www.archaeopress.com
ISBN 978-1-80327-388-4
ISBN 978-1-80327-389-1 (e-Pdf)
© the individual authors and Archaeopress 2022
Cover: Rock art motifs at Meyers Springs in west Texas, adapted from a 1930s’ Forrest Kirkland
watercolour. Courtesy of Texas Archaeology Research Laboratory.
All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic,
mechanical, photocopying or otherwise, without the prior written permission of the copyright owners.
This book is available direct from Archaeopress or from our website www.archaeopress.com
Contents
List of Figures and Tables�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½ii
Chapter 1: Why the history of rock art research matters �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½1
Joakim Goldhahn, Jamie Hampson, and Sam Challis
Chapter 2: The history of rock art research in west Texas, North America, and beyond �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½6
Jamie Hampson
Chapter 3: Reclaiming connections: Ethnography, archaeology, and images on stone in the southwestern
United States �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
17
Kelley Hays-Gilpin and Dennis Gilpin
Chapter 4: Rock art, landscapes and materiality in the Canadian Shield �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
25
Dagmara Zawadzka
Chapter 5: On the history of rock art research in Mexico and Central America �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
37
Félix Alejandro Lerma Rodríguez
Chapter 6: ‘To alleviate the night-black darkness that conceals our most ancient times:’ Carl Georg Brunius’
trailblazing rock art thesis from 1818 �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
45
Joakim Goldhahn
Chapter 7: History of the study of schematic rock art in Spain �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
61
Margarita Díaz-Andreu
Chapter 8: Leo Frobenius’ contribution to global rock art research �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
76
Richard Kuba and Martin Porr
Chapter 9: History debunked: Endeavours in rewriting the San past from the Indigenous rock art archive �½�½
89
Sam Challis
Chapter 10: Rock art
and
archaeology? The problem of ‘integration’ in southern African Later Stone Age
research �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
105
David M. Witelson
Chapter 11: A history of research into regional difference in southern African rock paintings �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
116
Ghilraen Laue
Chapter 12: Explorers and researchers: Kimberley rock art discoveries 1838–1938�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
126
Michael P. Rainsbury
Chapter 13: Discovering and researching Gwion (Bradshaw) art in the Kimberley, Western Australia �½�½�½�½�½�½�½�½
136
Joc Schmiechen
Chapter 14: Rock art research in Madurai, Tamil Nadu, India �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
147
Sujitha Pillai
Chapter 15: Historical overview of Mongolian rock art studies �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
155
Tseren Byambasuren
Chapter 16: A history of rock art research in Russia �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
160
Irina Ponomareva
Contributors �½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½�½
173
i
Zgłoś jeśli naruszono regulamin