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Theatres of Belief
Music and Conversion in the Early Modern City
Centre d’études supérieures de la Renaissance de Tours
Université de Tours, UMR 7323 du CNRS
Collection « Épitome musical » dirigée par Philippe Vendrix & Philippe Canguilhem
Editorial Committee:
Hyacinthe Belliot, Vincent Besson, Camilla Cavicchi, David Fiala, Daniel Saulnier, Solveig
Serre, Vasco Zara
Advisory board:
Andrew Kirkman (University of Birmingham), Yolanda Plumley (University of Exeter),
Jesse Rodin (Stanford University), Richard Freedman (Haverford College), Massimo Privitera (Università di
Palermo), Kate van Orden (Harvard University), Emilio Ros-Fabregas (CSIC-Barcelona), Thomas Schmidt
(University of Huddersfield), Giuseppe Gerbino (Columbia University), Vincenzo Borghetti (Università di
Verona), Marie-Alexis Colin (Université Libre de Bruxelles), Laurenz Lütteken (Universität Zürich), Katelijne
Schiltz (Universität Regensburg), Pedro Memelsdorff (Chercheur associé, Centre d'études supérieures de la
Renaissance–Tours)
Editing, layout :
Vincent Besson
Cover illustrations:
Front cover:
Emanuel de Witte,
The Interior of the Oude Kerk, Amsterdam, during a Sermon,
Oil on Canvas,
c.1660, The National Gallery, London. © The National Gallery, London.
Back cover:
Adriaen Pietersz. van de Venne,
Fishing for Souls,
Oil on Panel, 1614, Rijksmuseum. Courtesy of
the Rijksmuseum.
isbn 978-2-503-59887-1
e-isbn 978-2-503-59888-8
doi 10.1484/m.em-eb.5.127723
issn 2565-8166
e-issn 2565-9510
d/2021/0095/336
© 2021 Brepols Publishers NV
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted,
in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior
permission of the publisher.
Printed in the EU on acid-free paper
Theatres of Belief
Music and Conversion in the Early Modern City
Edited by Marie-Alexis Colin, Iain Fenlon and Matthew Laube
Centre d’études supérieures de la Renaissance
Collection « Épitome musical »
F
Contents
�½
Notes on the Contributors • 7
List of Figures • 10
List of Music Examples • 11
List of Tables • 12
Acknowledgements • 13
Editorial Introduction
�½
�½
�½
�½
• 15
Marie-Alexis Colin, Iain Fenlon and Matthew Laube
• 25
1. Converting Tondalos: Pilgrimages, Music and Sound in Early Modern Lutheranism
Martin Christ
(
University of Erfurt
)
• 45
2. Catholicising the City: Music, Ritual and Identity in Sixteenth-Century Córdoba
Iain Fenlon
(
King’s College, Cambridge
)
• 87
3. Sound and the Conversion of Space in Early Modern Germany
Alexander J. Fisher
(
University of British Columbia
)
4. Music Books for Lima Cathedral and their Social Context in the Early Seventeenth Century:
Black Slaves as a Guarantee for Producing a New Plainchant Library
• 105
�½
�½
María Gembero-Ustárroz
(
Consejo Superior de Investigaciones Científicas
)
• 127
5. Land and Conversion: New Frameworks for Colonial American Hymnody
Glenda Goodman
(
University of Pennsylvania
)
6. Lutheranising through Music: Tracing the Confessional Soundscapes of Early Seventeenth-Century
Wolfenbüttel and Braunschweig
• 141
�½
Inga Mai Groote
(
Zurich University
)
7. Sound Conversion? Music, Hearing and Sacred Space
in the Long Reformation in Ulm, 1531–1629
• 165
�½
�½
Philip Hahn
(
University of Tübingen
)
• 193
8. The Musical Cultures of Dissent and Anti-Catholicism in Counter-Reformation Douai
Matthew Laube
(
Birkbeck, University of London
)

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