Weller Modern Classics 1958 - 1990.pdf

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AON
In
1976,
The
Jam
arrived
on
the
London
punk
scene
as
suburban
outsiders,
led
by
a
bolshy
and
idealistic
18-year-old
called
Paul
Weller.
Few
could
have
imagined
that,
within
two
years,
Paul
would
grow
into
the
finest
young
songwriter
of
his
generation,
finding
poetry
and
romance
in
everyday
British
life
under
the
shadow
of
The
Bomb.
Then
in
1982,
feeling
trapped
by
fame
and
the
limitations
of
rock
music,
he
dramatically
called
time
on
The
Jam
to
pursue
his
passion
for
jazz,
soul
and
politics
in
The
Style
Council
-
a
group
that,
ironically,
would
achieve
even
greater
success
worldwide.
The
music
Weller
created
in
the
late
’70s
and
1980s,
defined
an
era;
and
his
dedication
to
everything
Mod
ensured
he
always
looked
sharp
while
he
was
doing
it.
was
lucky
enough
to
grow
up
with The
I
Jam
and
TSC’s
music;
and,
as
for
so
many
other
fans,
it
provided
an
education
and
inspiration
—
in
music,
literature,
fashion,
politics,
self-expression.
And
for
those
discovering
Paul’s
music
afresh
today,
it’s
guaranteed
to
take
you
on
an
incredible
journey...
I
hope
you
enjoy
this
issue,
and
look
out
for
Modern
Classics
1991-2019,
charting
Weller’s
mercurial
solo
years.
Turn
to
page
4
for
details
of
how
to
pre-order
your
copy.
fk
L.
Sef
PAT
GILBERT,
EDITOR
5a
oj
\
\
ran
MODERN
CLASSICS
4958-1990
4
JAM
1977
(
Lois
WORD
10
SCHOO
son)
24
ON
THE
ROAD
(Cho
de
L
MOD
CONS
(Lois
Wit
son
42
SETTING
SONS
(Pat
Gilbert)
50
JAM
FAN
CLUB
(Nicky
Weller)
52
SOUND
AFFECTS
(John
Harris)
60
THE
GIFT
(John
Harris)
70
THE
FINAL
TOUR
(Pat
Gilbert)
76
RIOT
STORIES
(John
Reed)
82
TSC
A
PARIS
(John
Harris)
86
OUR
FAVOURITE
SHOP
(Lois
Wilson)
100
THE
SONG BOOK
(Tom
Doyle)
106
THE
MOD
POET
(Lois
Wilson)
116
PAUL'S
JUKEBOX
(Chris
Catchpole)
INTERVIEW
120
THE
C;
a
OVENS
2002
(Lois.

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